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WALKIN' WAZI
Choreographed by: "Dakota" Dave Getty & Michael
Callahan
DESCRIPTION: Two Wall Line dance
MUSIC: Oh, Lonesome Me - Track 11 on "Sweet Fire" CD
by Michael Elvin Hunt
SOURCE: Country Dance Lines Magazine Volume 3 Number 5 - November
1985
BEATS/STEP DESCRIPTION
| Toe Touches, Forward Kicks, Back
& Toe Touch, Forward, Turn, Brush |
| 1 |
Touch Right toe forward |
| 2 |
Right foot back next to left |
| 3 |
Touch left toe forward |
| 4 |
Left foot back next to left |
| 5, 6 |
Kick Right foot forward twice |
| 7 |
Step back on Right foot |
| 8 |
Touch left toe back |
| 9 |
Step forward on left foot turning
¼ turn CCW with the step |
| 10 |
Brush Right foot forward |
| 11 - 20 |
Repeat beats 1 through 10 |
| Serpentine Grapevine Right, Pivot
Turn |
| 21 |
Step to the Right with Right foot |
| 22 |
Cross left foot behind Right and
step |
| 23 |
Step to the Right with Right foot |
| 24 |
Cross left foot in front of Right
and step |
| 25 |
Step to the Right with Right foot |
| 26 |
Cross left foot behind Right and
step |
| 27 |
Step to the Right with Right foot |
| 28 |
Cross left foot in front of Right
and step |
| 29 |
Kick Right foot forward and pivot
¼ turn CCW on ball of left foot |
| 30 |
Rock forward on Right foot |
| 31 |
Rock back on left foot |
| 32 |
Rock forward on Right foot |
| Rock Steps, One-Third Step-Pivots,
Double Heel Stomps |
| 33 |
Turn ¼ turn CW and step forward
on left foot, pivoting a one-third turn CW on ball of left
foot with the step |
| 34 |
Shift weight forward onto Right
foot |
| 35 |
Step forward on left foot and pivot
one-third turn CW on ball of foot |
| 36 |
Shift weight forward onto Right
foot |
| 37, 38 |
Repeat beats 35 and 36 (end up facing
180 degrees from start of dance) |
| 39, 40 |
Bring left foot next to Right raise
up on balls of both feet and stomp heels twice |
Repeat pattern
Note: On beats 34 through 38, the weight remains on Right
foot and the pivots are done in kind of a "whirling dervish"
fashion. The Right foot remains virtually in the same spot during
the pivots.

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